Small Man, Big Chair
I think one of the things I like about this still life class is I realized I don’t have to draw the complete scene if I don’t want to.
In this instance, I didn’t feel like dealing with the chair, so I simply didn’t draw it. The figure was the most interesting piece of the composition. It seemed like the most fun part to draw.
I guess choosing your crop, much like in photography, should’ve been obvious from the beginning, but it only occurred to me this week.