• home
  • daily photos
  • blog
  • about & portfolio
  • hire me
Menu

Phil Armstrong

photographer & artist
  • home
  • daily photos
  • blog
  • about & portfolio
  • hire me
×
blog RSS
20190306-000336910021.jpg

A Foray Into Film

Phil Armstrong March 6, 2019

After recently interviewing a local man who has over 175 vintage cameras collected in his East Side basement, I decided it’s finally time to start into film photography. Several friends of mine have been doing it for varying amounts of time, and their work slowly inspired me bit by bit when I’d see it. “You’ll learn to love the art form anew” and “it’ll recalibrate how you shoot” are arguments I’ve often heard from them. I knew at some point I would bite the bullet, but I didn’t expect it so soon. Then again, why not now? What am I waiting for, exactly?

After inheriting my mother’s old Olympus OM10, I bought a new battery and two rolls of Kodak Tri-X 400 B&W and ran through a roll in a couple of days. My friends were right. It’s fun taking your time and not knowing if it turned out or not. I shoot slowly using a DSLR as is because I want to get it right in the camera, but I shot even slower with the OM10. It’s satisfying to live with the image without running it through Lightroom afterward. The imperfection analog offers is liberating and tests your ability to make a photo better than digital does.

No one will process Tri-X 400 locally (if there are, I simply don’t know about them), so I sent them to The Darkroom in San Clemente, CA for developing. I received the digital files days later.

I think I have a little bit of a light leak (half the roll has a highlight line through it), so I’ll need to inspect the case when I open it again to see if I can replace the seal. Also, I might need to have the camera recalibrated because most of my shots are slightly fuzzy.

Below are some highlights from the roll. The only thing I did to these was resize them down to 3000 pixels on their longest edge and straighten a few of them that were barely off balance. I did a decent job making sure they were level when I took them, but some of them needed very slight alteration nonetheless. No corrections were made to exposure, highlights, shadows, or anything else. Living with the settings made in the moment is key to the integrity of the process.

Descriptions for each photo were added.

View fullsize 4th Street looking west
4th Street looking west
View fullsize Pillars to the Roebling Bridge
Pillars to the Roebling Bridge
View fullsize Skystar Cabins
Skystar Cabins
View fullsize Myrtle on the stairs
Myrtle on the stairs
View fullsize Times-Star and firehouse
Times-Star and firehouse
View fullsize Showboat and Belle of Cincinnati
Showboat and Belle of Cincinnati
View fullsize 3rd and Main Streets
3rd and Main Streets
View fullsize Living room
Living room
View fullsize Rookwood Staircase
Rookwood Staircase
View fullsize Sleepy Myrtle
Sleepy Myrtle
View fullsize P&G Gardens
P&G Gardens
View fullsize Broadway Street
Broadway Street
View fullsize 9th Street
9th Street
View fullsize Baum Street
Baum Street
View fullsize The Citadel
The Citadel
View fullsize Rooftop Myrtle
Rooftop Myrtle
View fullsize 3rd and Main Streets
3rd and Main Streets
View fullsize Mt. Auburn
Mt. Auburn
View fullsize Mt. Adams
Mt. Adams
View fullsize Flat Iron
Flat Iron
View fullsize Ashley and Myrtle
Ashley and Myrtle
View fullsize The Belle of Cincinnati
The Belle of Cincinnati


← A Close Call With a Reckless Semi-DriverThe Many Faces of Union Terminal →